Greysnow

2026
Audiovisual sculptural installation.
Three channel video installation, 23 minutes FHD stereo sound
Sculptural installation 14 reliefs 2x1,1m each, led lights

Greysnow

Director, script, sculptures: Alexandra Pavlovskaya-Lokchine
Cinematography: Eva Przhevalskaya
Editing: Robert Kan, Eva Przhevalskaya, Alexandra Pavlovskaya-Lokchine
Sound design: Arseniy Kalinovskiy, Andrey Yudenich
Colour grading: Nikolay N.Viktorov
Assistance and art handling: Boris Steiner
Documentation: Alexandra Pavlovskaya-Lokchine, Sophie Pankevich

A state of rupture: is it a condition where neither detachment nor belonging is possible? Greysnow is a sculptural audiovisual installation structured in recurring cycles. The grey zone is a surrounding subject and the internal logic of the work. Human beings are but particles in a storm of events, natural forces, and geopolitical decisions. The limits of individual influence dissolve. The world splinters into fragments— death and birth, timelessness and the present fuse into a single materiality.

The vulnerability and nakedness are laid bare in the face of vast landscapes, events, and the environments that people have created. Sculptural relief-elements function not only as autonomous objects: they operate as scenographic structures referring to the relics of saints in Orthodox monasteries. Greysnow reflects on collective and personal paralysis in moments of historical rupture.

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